Beside that mountain road I hesitated. It is careless and driven by something mindless—something not in touch with the more gently representation of nature. The poem's situation is simple, a lone traveler driving along a desolate… 778 Words 4 Pages They explore their life and the possibility of how they lived, and then their death. Greiner, University of South Carolina. Google DoubleClick Google provides ad serving technology and runs an ad network. It's a question of how people read and the circuits that have been opened in readers' minds.
He is able to abdicate neither. In 1992, he won the for lifetime achievement in poetry. For me, a crucial sentence there is, 'A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them. I wonder how many readers even recognized that it is a sonnet. We get to put ourselves in the speaker's position and ask ourselves what we would do.
The poet has however used vivid imagery and strong symbolism to support the theme of the poem and each element has its own purpose in the poem. The poet suddenly shifts what was preceding this stanza. My fingers touching her side brought me the reason-- her side was warm; her fawn lay there waiting, alive, still, never to be born. It encourages the reader to think about their own position in the great scheme of things. So he is in a hurry.
Over the years we have consistantly produced a semi-annual newsletter and a collection of limited edition letterpress broadsides of William Stafford poetry. A simple job he must do to protect human life now become a larger commentary on humanity. The lines involve variations of rhythm. With acceptance speech by Stafford and essay by Eric Smith from the Awards 60-year anniversary blog. Stafford's 'moment' combines a sense of peace or calm, a stillness, and a sense that the self's presence is permitted or acknowledged by presences external to it. Translated by Stafford, Adrienne Rich and Ajiz Ahmad. There is a break in the narrative.
You stand corrected, whomever you are. Traveling Through the Dark: William Stafford - Summary and Critical Analysis In this poem Traveling Through the Dark the poet William Stafford describes how he was moved by the death of a pregnant doe when he was driving a car along the mountain road at night. It is careless and driven by something mindless—something not in touch with the more gently representation of nature. Stafford Poetry Foundation agenda angle-down angle-left angleRight arrow-down arrowRight bars calendar caret-down cart children highlight learningResources list mapMarker openBook p1 pin poetry-magazine print quoteLeft quoteRight slideshow tagAudio tagVideo teens trash-o. This is an ethical dilemma - open up the doe to bring a new fawn into the world, risk being hit by other cars. What strategy will handle this? And I don't have any sense of its coming to a kind of crescendo, or of its petering out either. Remarketing Pixels We may use remarketing pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to advertise the HubPages Service to people that have visited our sites.
Alliteration occurs in line 4 with might make more. It is usually best to roll them into the canyon: that road is narrow; to swerve might make more dead. It is a good world to be lost in. Simply put, it jars my Northwest soul. Most poems, in their very opening lines, declare their prosodic intentions in order to set up the reader's expectations so as to play off these expectations later in the poem, for special effects. It describes encountering a recently killed doe on a mountain road. Is the driver hesitating because he's thinking about a rescue? Facebook Login You can use this to streamline signing up for, or signing in to your Hubpages account.
HubPages ® is a registered Service Mark of HubPages, Inc. I happen not to care for it much, but for irresponsible reasons which I'll state later. His mind is filled with mixed-up emotions: pity, anger, frustration, and confusion about how to act. His master's thesis, the prose memoir Down In My Heart, was published in 1948 and described his experience in the forest service camps. Lensing and Moran observe that Stafford gained his view of nature, and with it, his most pervasive theme, from his father.
The themes and issues present in his work humanity and nature, place, family, his Native American heritage arise from the telling of the tales. Many of these poems read like distillations of the sort of stories you would tell to people while undertaking a road trip or while sitting around a campfire and trying to find the most unsettling but deeply thoughtful stories one could summon up from the banks of one's memory and imagination. People like that poem because it makes them feel shitty. Instead of worrying about the problem, one has to accept the things as they are. Rubicon Project This is an ad network. In life I don't like much to happen. .
Young is interested in the way the sounds of machines are like those in nature and how some of the same images one finds in nature are part of both humanity and technology simultaneously. The deer is a roadblock which must be dealt with before the man can continue on his journey. Stanza Five The driver thinks hard for everyone, and the reader has to think hard too. But his focus was his writing. The poem's opening line creates for the reader a false first impression: the surprising appearance of a deer, usually an occasion for happiness. If this was a moment he told himself as poet he would go on writing his poems anywhere, it must have been one of the best moments in a career that has had more good ones than most. Views on the Writer's Vocation essays and reviews.
Openx This is an ad network. University of Michigan Press, 1998. As I was recounting the story to my kids the next day, I discovered by the expressions on their faces that I was arriving at some area of enhancement in the narrative. More than has ever been found comforts you. Explain the title of the poem. The second stanza examines the dead deer more Closely under the harsh glare of tail-lights: an eerie, infernal scene that links the traveler's vehicle with that of the hit-and-run driver. Rigor mortis is setting in, the doe has been a good while on the ground and there is nothing to do but drag her off.